GRAVEAUD PUGILLES Marie

GRAVEAUD PUGILLES Marie (GRAVEAUD PUGILLES Marie )

Artrinet work analysis of GRAVEAUD PUGILLES Marie

Classification : A240-B180-B275-C120-D110
(You can click on each code separatly
to locate it in the general classification grid.)

GRAVEAUD PUGILLES Marie
http://www.graveaudpugilles.com

The classification provides four or more codes placed on four axis (A - formalism, B - matériality, C - involvement body/mind, D - communication). These codes are positionning the artist in the art history.

A axis : FORMALISM
When looking at the work, what type of formalisation first strikes the eye? Is it more abstract or more figurative, etc ? (on a scale from more "immaterial" to more "realist").

A240 : Allusive inclusion of figures (or real objects ) in the abstract
More or less realistic figurative elements, more or less important but not going beyond details in a predominantly abstract work (Fernand Léger, Jan Voss, Antoni Tàpies, W. De Kooning, the "Combine Paintings" of R.Rauschenberg, ...).

B axis : MATERIALITY
How does the materiality of what is shown come across?
(on a scale from more "immaterial" to more "real").

B180 : Materiality
in painting, but also with all other materials with the following possibilities: mixed materiality: structured / unstructured
when a work is "structured" in its "lack of structure", and vice versa (repetition of forms, signs, matter ... Viallat, Toroni, Degottex, Hantaï,...).

B275 : Works on what is real / natural
all other works using the "natural" as it stands, for example in Arte Povera ("salads" by G. Anselmo, Luciano Fabro, ... ), "Land art", or "Earth art" (colourings of nature by Jean Veram, Robert Smithson, Richard Long, ...).

C axis : INVOLVEMENT BODY/ MIND
With what body:mind ratio does the artist enter into his work?
Classify from the most "intellectual" (e.g."Concept Art"...) to the most "physical" (e.g. "Body Art", ...).

C120 : towards the intellectual side/ the essence of things inward looking work chiefly oriented towards: projective
dreams, poetry, lyricism, psychedelic experience … to "project" an inner world (Henri Michaux, Wols, ...).

D axis : COMMUNICATION
Does the artist have the deliberate intention to convey a message of any sort through his work?
(classified from the most "mystical" to the most "worldly").

D110 : via what is meant with various spiritual or less marked religious influences
(from Barnett Newman to Mark Rothko, from Roman Opalka to Arnulf Rainer, ...).

GRAVEAUD PUGILLES Marie
http://www.graveaudpugilles.com