FLORIOT Chrystel Artrinet work analysis of FLORIOT Chrystel          Classification : A280-B150-C120-D115 (You can click on each code separatly to locate it in the general classification grid.)

FLORIOT Chrystel https://www.concept-store-gallery.com/artiste/floriot-chrystel

The classification provides four or more codes placed on four axis (A - formalism, B - matériality, C - involvement body/mind, D - communication). These codes are positionning the artist in the art history.

A280 : Figures Imaginary The unconscious
generally rather abstract interior spaces. But rising out of the abstract, elements of the imaginary world can crystallize into pre-figurative shapes (Masson, Mirò, Arshile Gorky, …).

B150 : Materiality
in painting, but also with all other materials with the following possibilities: unstructured with matter predominant
by its thickness, its composition or the way they are built up, matter here has pride of place (J. Fautrier, J. Dubuffet, J.P. Riopelle, and objects by Bertrand Lavier, ...).

C120 : towards the intellectual side/ the essence of things inward looking work chiefly oriented towards: projective
dreams, poetry, lyricism, psychedelic experience … to "project" an inner world (Henri Michaux, Wols, ...).

D115 : via what is meant in various narrations or symbolisms whatever they may be
allegorical, metaphorical (J. Beuys' "materials", ...), analytical (Mario Merz's "Fibonacci series", or those of Robert Filliou, ...), critical (from Henri Cueco to Hans Haacke or Guillaume Bijl, ...).